Crystal Li (b. 2000) is an independent curator and art writer from Hong Kong. She recently graduated from MFA Curating at Goldsmiths, University of London. She earned her double major degree of Social Work and Social Administration & Korean Studies at the University of Hong Kong with a First Class Honours in 2022. 

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Her research and curatorial practice generally anchors to cognitive and physical thresholds. Taking narrative as a "rubber raft", she seeks to meander through the murky waters of power, system, representation, and arrive at the shore of unheard murmurs and groans from individuals and more-than-human bodies. 

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She has co-curated ‘Drawer Inside the Bar Lines’ (upcoming, 2024), a group exhibition under 2024 Emerging Curators Project of Power Station of Art, Shanghai and public programme ‘Sonic Friction’ (2023) at Gasworks, London. Her exhibtion reviews have also been published on Daoju, ACO HK, Femme Art Review, Smiths Magazine, The Architectural Exhibition Review and elsewhere. She is also part of a curatorial collective ‘Wish Fish 魚念魚 ’who works with voices, sounds and languages in-between here and there, this and that.